Notations/Observations at 17L, Dover Terrace
Medium: Acrylic | ​White Acrylic Ink on 140gsm Acid-Free Paper, Pasted on 250 Gsm Black Fabriano, Layered with Acrylic Sheet.​
Size with Frame: 21.4 X 29.3 Inches. (Each) | Top: Glass Frame | ​There are Six Works in the Series.
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About:
The work is layered and reflects a deep personal connection, embodying both conversation and inner argument, and depicting vulnerability. There is an inherent tension in the approach, balanced with a sense of playfulness. And, it sits well with who I am. During my residency at Studio 21 in Ballygunge, Kolkata, I experienced a significant shift from my familiar environment in Delhi. This transition brought a mix of excitement and discomfort, which I navigated through my artistic practice. Early encounters with domestic plants in Kolkata evoked memories of similar plants back home in Delhi, creating a bridge between the two cities and providing a sense of continuity amidst the change. Drawing these leaves brought comfort and familiarity in the new setting. I began sketching in my A4 black paper sketchbook with a pencil and later refined these drawings with white acrylic. This process grew organically, leading to the creation of this series. I repeated the drawings on acrylic sheets, intentionally shifting the layers to create a reflective visual effect. The acrylic-on-acrylic interaction introduced spontaneous pattern generation, adding depth and complexity to the work. These domestic plants became a symbol of remembrance, providing solace amidst the surrounding chaos.
The act of repeating the drawings was like capturing the echo of resonant sounds, grounding me in the present.
This series not only represents my artistic exploration but also my emotional journey from Delhi to Kolkata, finding comfort in familiar motifs and transforming them into new expressions. The process of creating these works was a way to reconcile the tension between the known and the unknown, the familiar and the new, ultimately finding peace in the act of creation.​